Process Is Forever by Biri
Biri
Preview: Hiding From Yourself
Tel Aviv native Itai Biri offers up his debut EP for Counterchange with ‘Process Is Forever’. Over five bold and very different tracks we are guided through expertly balanced floor workouts, elegant hypnotism and melodic reflection. Biri’s remarkable control over the bass-end, rhythmic structures and stereo spaces in his music is proudly on display here - from the rolling energy of ‘Process Is Forever’, to the tripping tones of ‘Ursa Minor’ and beyond. Recently relocated in Berlin, Biri’s new wave of solo productions have also found a home on Len Faki’s Figure Jams imprint, while he released on Derrick May’s Transmat with his long-term partner Deep’a. Together they run their lovingly curated Black Crow label which continues to promote a defiant strand of Detroit-indebted techno and dubbed-out electronics. Artwork by Dana Zelig. Photography by Dor Kedmi. Layout by Ed Davenport. Mastered by FAR.
Tracks
Individual track purchase
Hiding From Yourself
Biri
Beneath The Skin
Biri
Isolator
Biri
Ursa Minor
Biri
Process Is Forever
Biri
Purchase items (1)
Digital album
€4.50
Tel Aviv native Itai Biri offers up his debut EP for Counterchange with ‘Process Is Forever’. Over five bold and very different tracks we are guided through expertly balanced floor workouts, elegant hypnotism and melodic reflection. Biri’s remarkable control over the bass-end, rhythmic structures and stereo spaces in his music is proudly on display here - from the rolling energy of ‘Process Is Forever’, to the tripping tones of ‘Ursa Minor’ and beyond. Recently relocated in Berlin, Biri’s new wave of solo productions have also found a home on Len Faki’s Figure Jams imprint, while he released on Derrick May’s Transmat with his long-term partner Deep’a. Together they run their lovingly curated Black Crow label which continues to promote a defiant strand of Detroit-indebted techno and dubbed-out electronics. Artwork by Dana Zelig. Photography by Dor Kedmi. Layout by Ed Davenport. Mastered by FAR.
