Yūgen by Doltz
Doltz
Preview: Kasumi
Yūgen is an important concept in traditional Japanese aesthetics. The exact translation of the word depends on the context. Yūgen is not an allusion to another world. It is about this world, this experience… “To watch the sun sink behind a flower clad hill. To wander on in a huge forest without thought of return. To stand upon the shore and gaze after a boat that disappears behind distant islands. To contemplate the flight of wild geese seen and lost among the clouds…” –Zeami Motokiyo Japanese aesthetic ideals are most heavily influenced by Japanese Buddhism. In the Buddhist tradition, all things are considered as either evolving from or dissolving into nothingness. This “nothingness” is not empty space. It is rather a space of potentiality. If the seas represent potential then each thing is like a wave arising from it and returning to it. There are no permanent waves. There are no perfect waves. At no point is a wave complete, even at its peak. Nature is seen as a dynamic whole that is to be admired and appreciated. Yūgen by Doltz 'is inspirated by the sea, mountains, plants, animals, old towns and landscapes that change over time '
Tracks
Individual track purchase

Kasumi
Doltz

Shiranui
Doltz

Yoi
Doltz

Kagen no Tsuki
Doltz

Tsubame
Doltz

Suisen
Doltz

Reimei
Doltz

Fuhen
Doltz

Mono Sabita Kanjakuna Yojo
Doltz
Purchase items (2)

Yugen | Limited Edition CD-r
€7.00
Limited edition in classic jewelbox CD. Each CD-r includes a color diptych with reversible album pictures.

Digital album
€5.00
Yūgen is an important concept in traditional Japanese aesthetics. The exact translation of the word depends on the context. Yūgen is not an allusion to another world. It is about this world, this experience… “To watch the sun sink behind a flower clad hill. To wander on in a huge forest without thought of return. To stand upon the shore and gaze after a boat that disappears behind distant islands. To contemplate the flight of wild geese seen and lost among the clouds…” –Zeami Motokiyo Japanese aesthetic ideals are most heavily influenced by Japanese Buddhism. In the Buddhist tradition, all things are considered as either evolving from or dissolving into nothingness. This “nothingness” is not empty space. It is rather a space of potentiality. If the seas represent potential then each thing is like a wave arising from it and returning to it. There are no permanent waves. There are no perfect waves. At no point is a wave complete, even at its peak. Nature is seen as a dynamic whole that is to be admired and appreciated. Yūgen by Doltz 'is inspirated by the sea, mountains, plants, animals, old towns and landscapes that change over time '






